2009/04/14

Some info for my thesis (伍)

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19.4万美元,可以买一辆雷克萨斯外加一架赛斯纳小型飞机。如果说同样的价格可以合二为一,你信吗?现在这样的东西总算上市了。

2009年1月,吉尔斯•卡多佐和他的伞翼飞车从伦敦启程飞往马里

2008年1月,波音公司80年代耗资600万美元的“空中通勤车”计划的原型车出现在拍卖网站eBay上。虽然要算有史以来所有“飞行汽车”概念中最可行的设计之一,它还是无果而终。拍卖者建议说:“它也许能飞,但千万别尝试。它最多在低空晃悠一下,弄不好会坠毁。”

一年后的2009年2月,美国马萨诸塞州的特拉弗吉亚公司宣布:他们研制的“飞跃”飞行汽车试飞成功!预计2010年首架即可交付。目前这款预售价 19.4万美元的车已接到40份订单。由于飞行远比汽车复杂,所谓“飞行汽车”只是个习惯说法,它实际上是能在公路上行驶的飞机,而不是能飞的汽车。这意 味着如果中途遇上堵车,你不能腾空而去。但如果天气转坏必须降落,它可以继续在地面开回家,而不象飞机一样要困在机场。

飞行旧梦

“飞行汽车”想法的出现不可谓不早,迄今已有几十位发明家为它倾尽毕生精力。1917年,著名飞机制造先驱格伦·柯蒂斯就设计过有3个宽12米的机翼,由后部的4叶螺旋桨推进的Autoplane,可惜从未上天。亨利·福特1926年研制了plane car,不幸原型车坠毁,驾驶员身亡。不过福特直到1940年仍相信:汽车和飞机总有一天会合为一体。

1938年夏,洛杉矶市机场经理沃尔多·沃特曼在一家汽车公司资助下制造的3辆“沃特曼·阿罗拜尔”进行了全美巡回展示。由于可靠性欠佳,3辆车很快就只 剩一辆,凭借仅182米的升限和不到483公里的最大航程在西部的山口峡谷间穿行。除了多次迫降,这架“四不象”在克利夫兰展示实用性时还差点送了命。为 了显示在汽车与飞机之间转换迅速,飞行员没有将机翼和车身锁定杆锁死。上天后才发现:要是不用右手拉住杠杆,机翼就要脱离车身!在展示的终点纽约,刚刚迫 降在郊外的“阿罗拜尔”将机翼放在一个农夫的卡车上悄然溜进机场,装上机翼后又装模作样地滑向记者面前。

1946年,罗伯特·富尔顿发明的“飞行汽车”号称5分钟就能从飞机转换成汽车,并第一个获得美国民用航空局认证,但没有找到投产的投资方。设计“飞车 ”(Skycar)的穆勒国际公司总经理布鲁斯·卡尔金斯说:“其实技术在二战后就成熟了,只是实在没有需求。路程远了有飞机,近了有直升机。需要很多资 金才能将个人飞行器投入市场,但投资者总想更快得到回报。”

1946年罗伯特•富尔顿发明的“飞行汽车”(AeroCar)

新的“飞跃”

正因为如此,促使“飞跃”出现的前提不是技术的重大突破,而是政策因素。2004年,为了让更多的人能够飞行,美国联邦航空局(FAA)设立了新的注册类 别—“轻型运动飞机”,这类飞机起飞重量不超过599公斤,设计和性能只需满足工业标准,飞行员只需20小时训练,比多数普通飞行驾照少了一半。

这一年,27岁的卡尔·迪特里希还是麻省理工大学的航空学研究生,凭着搞发明得到的3万美元奖学金,他选择了“飞行汽车”创业。他网罗的8名工程师中,有的制造太阳能和电动汽车已有10年,有的设计“美洲杯”帆船已有20年。

“飞跃”的技术难度也源于“跨界”,在飞机状态要满足FAA要求,在汽车状态要满足国家高速公路运输安全局和环保局要求,比如既能达到高速公路速度,又要符合全部汽车碰撞测试标准(以48公里/小时撞上砖墙还能保护乘客)。599公斤的重量比一辆奔驰Smar t汽车还轻227公斤,长度却和一辆雪佛兰Suburban相当,不说与一辆SUV迎头相撞,它能不能经得起大风也是问题。当然,也少不了能使用普通无铅汽油,能进入常见的2.1X5.8米车库。

更大的挑战是经济性。以与“飞跃”同样的价格,可以买一辆雷克萨斯和一架小型赛斯纳飞机。这迫使他们避免采用涵道风扇和伸缩翼等复杂技术,但只需按一下按 钮、15秒内完成机翼收放还是必须的。好在“飞跃”还算便宜可靠,地面平均耗油率约5.8-7.8升/百公里,在空中以160公里/小时巡航时,耗油率 7.8-8.4升/百公里。它还能利用美国各地多达5000个小型机场,美国大陆几乎任何地方40公里内至少有一个。

虽然花了半年时间获得了所需牌照,但保险公司还暂时没有接受“飞跃”,他们关心的是更换受损的机翼要多长时间和成本等问题。幸好特拉弗吉亚公司负责业务发 展的副总裁是在保险业混了30年的业余飞行员,现在他正在争取国家高速公路运输安全局允许用摄像头和风档玻璃上的屏幕代替阻力太大的传统后视镜。

目前,为“飞跃”支付9000美元定金的,大部分是希望得到一部有趣的汽车周游各地的退休夫妇,这使迪特里希对投资方“第二年就有用户”的承诺总算没有食言。

不上路,更自由

最近宣布接近投产的另一种“飞行汽车”—加州穆勒国际公司的“飞车”M200G更加前卫,但它的原理要追溯到300年前的瑞典发明家伊曼纽尔·斯韦登伯 格。这种2008年11月底首次试飞成功的双人飞行器最大的挑战是不稳定,为此它借助了多台惯性仪器和计算机,每秒400次调整8台小涵道风扇的推力。

加州穆勒国际公司的“飞车”M200G

也许是过于坚守飞碟式的梦想,莫勒的发明难度也大得多。虽然最终希望能飞到约1500米的高度,目前它只能离地3米,这倒是带来了不需要飞行驾照的好处。 尽管它采用转子发动机而非昂贵的航空喷气发动机,耗油量也低于陆虎或保时捷,还能使用酒精燃料,造价仍直逼50万美元,更适合作为富人的玩具。目前预计原 型车可望2012年问世,数年后将推出经FAA认证的车型。实际上,M200G最大的市场仍是娱乐飞行而非公路行驶,据说这已经为它带来了超过100张订 单。要想从堵车之中腾空抽身,不得不考虑强大的喷气流对其他汽车和行人的后果,因而它必须开到机场才能起降。

美国ICON公司20 0 9年1月26日完成第一阶段试飞的ICON A5水上飞机也属于轻型运动飞机,重量不超过649公斤,主要针对休闲飞行,预计2010年投产。将机翼折叠后,它可以轻松地装在拖车上,沿公路四处旅行。

2009年1月14日起飞的英国发明家吉尔斯·卡多佐玩得更野,他驾驶的是首架合法的双燃料“飞行汽车”,三分钟就能展开柔性的伞翼,从一辆全地形车转换 为一架时速113公里、升限4572米的飞机。卡多佐的打算是从伦敦直飞5985公里,抵达非洲国家马里。驾驶自己设计的同类机型,卡多佐曾成功飞越珠穆 朗玛峰。他现在的设计装有一台140马力的雅马哈摩托发动机,在地面零至96公里/小时只需约4.5秒,越野机动性与摩托或沙滩车类似,达到72公里/小 时的速度、滑跑198米即可离地。此行如果成功,他计划将这种飞机投产,并以76000美元的价格上市。

吉尔斯•卡多佐和他的宝贝儿在伦敦上空,瞧它那朴实的轮子


2009/04/12

Illustrator and Vector Resources

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Vector Blogs and Tutorial Sites

Vector Dedicated Web Communities

Adobe.com Illustrator Resources

Vector Magazines

Illustrator and Vector Stock

Illustrator and Vector Tutorial List Sites

Vector Freebies

2009/04/06

Horror, Morbid and Mystic Art Pictures

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by SM

It is true that art communicates what words can not and art is the language that communicates with the soul. Morbid art stands for works that illustrate a very deathly and deathlike mood. It has many variations starting from its gore scenes to its dark and depressed atmosphere – and sometimes its daydreams, night screams, corpses and horrifying imagery.

As such, it has some similarties with the mystic art that is also quite “charismatic” in terms of its themes and motifs. The beauty of mystic art is the simple fact that it captures your attention at the very first glance, provides you with the imagery of something that doesn’t exist, looks surreal or even bizarre and hence impresses you in a very mystifying way.

In this post we present some amazing examples of morbid and mystic art. Hopefully, you’ll love some of them or at least will find them creative or inspirational. Please explore the further works of the artists linked below and also feel free to suggest other artworks in the comments to this post.

You may be interested in the following related posts:

Morbid Art

Following Death

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Bloodbath

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Free with the Wind

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Love

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Love Is Dead In Metropolis

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The Collector

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Dead

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The Amended

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A Lack of Confidence

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Born Again

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One dead for one survive

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Voices of the Dead

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Feeling Morbid

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Could I Please Come With You

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The Brighter Side of Suffering

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Sometimes even angels feel worthless…

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Morbid ECCENTRIC Beauty

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Dead Tree

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The Morbid Machine

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Morbid World

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Til Death

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Psycho

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Morbid Desire

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Down The Drain

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I will play for you, a last lullaby

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Sea Monster

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DEAD TREE in a DEAD MIND in a DEAD HEAD in a DEAD WORLD

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Death is an Angel
Death is an angel with two faces: To us he turns / A face of terror, blighting all things fair; / The other burns / With glory of the stars, and love is there.

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Mystic Art

Shaman

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Guilty

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ILLUMINATION

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Mystic Serenity

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Mystic Calamity

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The Amethyst Mystic

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Mystic Cave

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Mystic

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The dragons maid

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Faith of the Heart

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This is not my Way

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Shining Moon, Mystic Island

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The Mysterious Disappearance

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Mysterious Moon

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Stairway to Heaven

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Queen of wind

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As if the life

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Bread of Shame

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Mystic Sorceress

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The Mystic

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Mystic wood

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Into the Mystic

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Spirit of the Mist

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Mystic

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2009/04/02

How To Create A Great Web Design CV and Résumé?

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by smashingmagazine

The economy is bad. No one’s job is really 100% safe, so it’s time we all bucked up and got our recession bags packed (just in case!). Your portfolio is already gorgeous, but have you created a drool-worthy résumé?

This flimsy one-page document is more important than many people think: the résumé is the first portfolio piece that potential employers see, and if they’re not impressed, chances are they won’t look at the rest of your portfolio. “But I’m not a print designer!” you moan. It doesn’t matter, and I don’t want to hear your excuses! You need to conquer this, because if you’re a great Web designer, you don’t want your first impression to be mediocre.

The Steve Stevenson Challenge

Everyone likes a competition. How about one in which ten good Web designers have to design the same résumé in only a few hours? Meet Steven Stevenson.

Steven Stevenson, a fictional Web designer, doesn’t have a résumé. The competition: each designer must translate his work experience, education and interests into their own unique style. Watch and learn, people. At the end is a summary of good tips for Web designer résumés. (If you’re interested in taking the challenge yourself, check out misterstevenson.com for all the rules these designers followed, Steven Stevenson’s raw data and the chance to add your own entry.)

And in no particular order, here are the contestants’ entries!

Contest Entries

Sam Brown made a real effort to distinguish between the three main components of Steve Stevenson’s life and adds a touch of personality with some handwritten text and highlighting. He shows he isn’t afraid to mix media but manages to do so in an elegant, fun way.
Download the PDF

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Ali Felski’s design is beautiful and simple, but manages to convey Steve Stevenson’s strong design skills. Her usage of colour is muted, but appropriate, and she’s left out a lot of extra information that could clutter up this one page document. Ali is also aware of the boundaries of the medium. She says, “A résumé should be designed well, but just like the Web, it has constraints, and even as designers, we should respect them.”
Download the PDF

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Chris Spooner opts for a purely typographic, clean design that showcases his ability to display information without the need for adornment. Clean design is a skill that Steve Stevenson may possibly need should he be looking for a corporate Web design job, in which case he’d need to present something simple and professional.
Download the PDF

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Niamh Redmond makes Steve Stevenson’s résumé stand out by choosing a landscape-style document with well-divided content and good branding. Niamh says about her design: “My aim was to design something in which each element served a function. Every shape and line, the colors and their use, the font variations and text sizes were chosen to communicate something to the reader.”
Download the PDF

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Eva-Lotta Lamm chose to keep her résumé simple and typographic: “The only illustrative element is Steve’s little logo (playing with the nice alliteration of his first and last name). It is repeated as a small blue dot to separate different section sin the résumé.” The result is a beautiful, yet simple piece, which is easy to follow.
Download the PDF

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Sarah Parmenter goes with a solid yellow background and a very prominent photo of Steven Stevenson (who is quite cute!). She breaks up the copy and puts emphasis on his freelance work.
Download the PDF

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Wez Maynard has simplified the information and given it lots of room to breath. His design could easily be used as a Web design. He’s also given a lot of space and prominence to branding and has effectively separated the freelance work from the work experience.
Download the PDF

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Luc Pestille has added some great imagery without making it unprintable. He’s allowed spaces for a photo and company logos, and he brings in arty spray-painting. While most likely inappropriate for a corporate work environment, it is playfully suited to a funkier job opportunity.
Download the PDF

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Ollie Kav chose to use Steve Stevenson’s love of Japanese culture to organize his résumé. These personal touches give the CV a huge dose of personality, which would give employers something interesting to speak with him about in the interview. “I’ve based the design on the signage in the Tokyo subway stations, which has bright bold colors,” Ollie says. This boldness makes for a resume that shows Steve Stevenson’s confidence and passion.
Download the PDF

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Albert Lo has broken an important rule by making his résumé virtually unprintable. But he has also organized the information very differently: chronologically, with awards, skills and work all intertwined, just as they would be in real life. Albert says his inspiration came from listening to house and trance; his colors and illustration really communicate the type of designer he is.
Download the PDF

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You can download all of these entries in a handy ZIP file (5 Mb). Thanks to all designers for their participation!

2009/03/30

Why Logos Should Cost More Than $300

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by Niki

Logo Works Rip Off designs

I recently received an email from someone asking me for a quote on a logo/illustration. Now In this persons defense - they are not a designer and probably didn’t know any better. Said person mentioned that they were also looking at the service of LogoWorks. And this made me curious so I did a Google search…

Now I must warn you…i’m going to go off for a bit…

Logoworks seems to be a bargain basement design shop aimed at geting small businesses up and running FAST. All their logo packages are less than $700. They promise a 3 day turn around and unlimited revisions on most logo packages.

They also offer 10 reasons why you should hire them. I’ll just interject some of my recently gained knowledge between the bullet points :)

Original, custom logos you can afford, with no hidden fees. See our packages.

…Well original logos you say? Wow…just google logoworks rip off and you will find dozens of direct and obvious rip offs of other logos. Here are just a few examples (originals on the top…rips on the bottom).

Logo Works Rip Off designs

Check out the rest of the Logoworks rip offs here

A fast, convenient, and proven design process.

Logo works promises a 3 day turnaround. I’m sorry, but if a logo can be designed in 3 days then the designer is not utilizing the design process. I usually follow a 3 step process: 1 Research ,2 Designing ,3 Refining. Each phase usually takes about 10-15 hours. No way these designers go through all that in 3 days. One evident solution to this 3 day turnaround must be that they STEAL other designers designs!!! hmmm…


Professional logo designers in-house and freelance.

Another point i’d like to refute. If they offer logo packages for $300, how can they afford to pay professional designers? hm….

Over 45,000 satisfied customers - 98% would recommend Logoworks to a friend.

…what about those customers who found out their logo is a rip off of a trademarked logo? hmm…

Unlimited revisions for all but one of our packages.

Again this is against the way most logo designers work. You usually get limited number of revisions. Anything other than that you usually pay extra for. How can they afford to pay ‘professional’ designers and offer unlimited revisions.

So lets get back to the title of this blog post…Why Logos Should Cost More Than $300

Well…to put this very frankly: YOU GET WHAT YOU PAY FOR. Great design takes time, research, hard work, discipline, experience, talent, and great communication with the client. When you take shortcuts (especially in price) you sacrifice these things and in turn sacrifice the quality of the logo. I understand that clients are usually looking for a good deal, but really cheap design is not it! (cheap design often ends up like this)

For further and probably more eloquent reading check out Jacob Cass’s article “Why logo design does not cost 5 dollars”. The logos below cost way more than $5 :)

2009/03/29

Easily Convert Bitmap Images To Clean Vector Art

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http://vectormagic.com/

2009/03/28

20 Useful Typography Tools

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Typography is a crucial component of a design. When used effectively, it sets the mood and solicits emotion about the design. Working with typography can be challenging, but fortunately, there is a plethora of free tools on the web that can help you work with type.

In this article, you’ll find 20 tools for working with typography. You’ll find an assortment of tools that’ll help you with testing, identifying, sizing, and even making, fonts.

1. Typetester

Typetester - screen shot.

Typetester allows you to compare various fonts and styles on one page. You can try out different looks for your sample text by changing its styles and attributes.

2. FontStructor

FontStructor - screen shot.

FontStructor is a free, web-based tool for creating your own fonts. It has an intuitive interface so don’t expect a high learning curve.

3. Font Tester

Font Tester - screen shot.

Font Tester is a free web-based tool for comparing different fonts. It shows you various fonts that you’ve selected side-by-side with their respective CSS style rules.

4. Typechart

Typechart - screen shot.

Typechart lets you quickly evaluate an assortment of web typography. Once you’ve discovered the font you like, you can use the Get CSS button to obtain the style rules for it.

5. OpenType Font Tester

OpenType Font Tester - screen shot.

OpentType Font Tester is a web-based tool that allows you to test over 20 OpenType fonts.

6. CSS-Typoset Matrix

CSS-Typoset Matrix - screen shot.

CSS-Typoset Matrix is a matrix that displays font sizes, line-heights, and margins (in pixel and em units) for various base font sizes. It also outputs the CSS code for you based on your inputs.

7. CSS Type Set

CSS Type Set - screen shot.

CSS Type Set lets you experiment with different styles and attributes (such as font size, font weight, font family) of web typography. Once you’re satisfied with your tweaking, it’ll generate the appropriate CSS code for you.

8. TypeNavigator

TypeNavigator - screen shot.

TypeNavigator is a simple and intuitive visual font search tool. It presents a series of images so that you can try and identify the name of the font you’re looking at. What’s great about visual search is that you don’t have to be familiar with the typography terms and the anatomy of type to be able to successfully find the font you want.

9. Hi-Res FontTester

Hi-Res FontTester - screen shot.

Hi-Res FontTester is a simple and straightforward tool for testing various fonts. You can create as many samples as you want, and then when you’re finished, you can export your tests in a PDF file for storing and sharing.

10. Font Burner

Font Burner - screen shot.

Font Burner lets you search for fonts that you can embed in your site. You can embed the font you’ve chosen on your web pages by copying-and-pasting the code they provide (which uses sIFR).

11. PXtoEM

PXtoEM - screen shot.

PXtoEM is simple web tool that gives you a matrix for pixel, em, percent, and point units based on your ’s font size. If you’re used to working with pixels but see the value in using em as your size unit, PXtoEM will lessen the need for you to reach for your calculator.

12. WhatTheFont

WhatTheFont - screen shot.

With WhatTheFont, you upload an image or screenshot of the font you’re trying to make out, and then it attempts to deduce the name of it.

13. Linotype Font Finder

Linotype Font Finder - screen shot.

Linotype Font Finder helps you identify a font through a series of questions like "What type of tail does the upper-case ‘Q’ have?" or "Does the upper-case ‘U’ have a stem?".

14. Identifont

Identifont - screen shot.

Identifont is a large online database of fonts that’s searchable. They also help you identify fonts by asking you a series of questions.

15. CSSTYPE

CSSTYPE - screen shot.

CSSTYPE is a free tool for experimenting with web-safe typography.

16. Fontifier

Fontifier - screen shot.

Fontifier is a tool for generating usable fonts based on your handwriting. This can be a great way to create a truly unique font for your designs.

17. Designer Plaything

Designer Plaything - screen shot.

Designer Plaything lets you experiment with different web typography and color combinations. It also allows you to check color accessibility. There’s a web-based version and a downloadable version which you can grab on this page.

18. Serif Font Identification Guide

Serif Font Identification Guide - screen shot.

Serif Font Identification Guide is a visual font identification tool that presents a series of images that you pick from to closely match the font you’re trying to recognize.

19. Font Picker

Font Picker - screen shot.

Font Picker is a simple web tool for browsing all the fonts available on your computer. It can be a useful tool for quickly previewing and selecting what font you want to use for a design.

20. CSSTXT

CSSTXT - screen shot.

CSSTXT is an uncomplicated web tool for generating CSS style rules for web typography.